About Lorraine Aveni

A native of Connecticut, Lorraine Aveni's interest in regional photographic themes began in the 1960's when, while living in Arizona, she bacame attracted to traditional Native American art imagery. For two decades since then, she served annually as field expedition photographer on archaeological extended study programs conducted by Colgate University south of the border in Mexico, Central and South America.

It was in 1985, when Lorraine resided in Venice, that she grew fascinated with the possibilities for refining the European artistic form known as the Photogram, a product of the experimental Bauhaus movement of the 1920's. Photograms are filmless photographs created in the darkroom by the manipulation of light and shadow upon objects placed in direct contact with photosensitive paper.

After studying Printmaking at Brookfield Art School (Brookfield, CT) and Painting and Photography at Munson Williams Proctor Institute (Utica, NY), she also served as President of the Village Artists & Craftsmen in Hamilton, NY, through the 1980's.

Lorraine created her first solo show in 1990 at the Earlville Opera House Gallery (Earlville, NY), featuring Black & White nostalgic abstract photgrams of American Indian subjects, as well as Victorian florals. Later exhibits, in color, at the Case Libary of Colgate University included:

  • Merchants of Venice 1993

  • Becoming Bulgaria 1994

  • Etruscan Places 1997

  • Many Mexicos I 1998

    and at the Mesoamerican Archive of Harvard University:

  • Many Mexicos II 2002

Lorraine's work was also exhibited at the NY Art Associations' Focus on Black & White, Juried Show in Cooperstown, NY in November 2004.

Now that Lorraine lives in the Adirondacks, her most recent Photograms return to an exploration of new ways of seeing and expressing the Park's natural treasured icons of woodlands, mountains, lakes and animals.

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